Titus Andronicus: An all female cast at the Edinburgh Fringe

Titus and Andronicus by an all-female cast looked intriguing. All that assassination, murder, ravishing of virgins, maternal betrayal, slicing off of hands and the tearing out of tongues, feasting a father on the flesh of his children, lots of revenge and corruption – all performed by a female cast. Could be fun. But this was... Continue Reading →

Dermot Bolger’s adaptation of Ulysses – Edinburgh Fringe

If you were to seriously sit down and attempt to adapt Joyce’s Ulysses for the stage then you possibly ought not to do so without being supervised by a consultant psychiatrist. Alternatively you could prepare for such an epic task by ensuring a good supply of whiskey, perhaps a bottle per chapter, a continuous intravenous... Continue Reading →

ROUGHS at the Edinburgh Fringe

From a playwright of such towering intellectual reputation Roughs is one of Becket’s most difficult texts. (Published as Rough for Theatre I and Rough for Theatre II ) To run them at the Fringe takes courage and a lot of balls. Not many will understand the message, if there is one, or see the point,... Continue Reading →

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