It is just perfect, perfectly appropriate, that this important 12th-century reliquary, an Irish Crucifixion plaque, should have been found, in of all places, an Irish potato field. But so it was. And according to the notes of the archaeologist who found it, it was in the year 1844. I check my notes. Yes, 1844. Just... Continue Reading →
The Potato field Icon.
It is just perfect, perfectly appropriate, that this important 12th-century reliquary, an Irish Crucifixion plaque, should have been found, in of all places, an Irish potato field. But so it was. And according to the notes of the archaeologist who found it, it was in the year 1844. I check my notes. Yes, 1844. Just... Continue Reading →
A Lament for the 2020 Edinburgh Festival
Every year, for the god knows how many years now, we take a house, for the whole of August, in Edinburgh, for the Festivals. In recent years it has been a gorgeous eighteenth-century property on the ancient and cobbled George Square, complete with chandeliers and a vaulted basement dining room and loads of bedrooms for... Continue Reading →
Private Peaceful – review.
Morpurgo;s Private Peaceful is very disappointing. Perhaps we expected too much after the stunning writing of War Horse, , its astonishing stage production and the film. Or perhaps World War 1, as a vehicle for drama has passed its peak and needs to take a rest. Of course one reason may be that without the... Continue Reading →
A Braw Bricht Show
When, as a stranger to the Scots tongue, you first encounter Burns then you find a daunting and fairly impenetrable language. It takes more than a few readings to begin to appreciate the wonder of it all and to get your ear into the cadences of the braid Scots. Booking a ticket therefore, for Tam... Continue Reading →